I have had this song on repeat for the whole day. I love the PV! Action-packed, bad-assness all around.
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Tour Dates
11/14/09
Double Door Chicago, IL
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11/16/09 Al’s Bar Lexington, KY 11/17/09 Cliff Bells Detroit 11/18/09 Wrongbar Toronto, ON 11/19/09 ll Motore Montreal 11/20/09 Westcott Theater Syracuse, NY 11/21/09 LPR NY, New York 11/22/09 Liv Nightclub Washington DC 11/23/09 Magnus Music LLC Charlottesville 11/24/09 Milestone Charlotte, NC 11/25/09 Local 506 Carrboro, NC 11/27/09 BottleTree Birmingham, AL 11/28/09 Spanish Moon Baton Rouge, LA 11/29/09 House Of Blues Dallas, TX 11/30/09 Emos Jr Austin, TX 12/02/09 Rhythm Room Phoenix 12/03/09 Casbah San Diego, CA 12/04/09 El Rey LA, CA 12/07/09 Rythm Factory London 12/08/09 HiFi Club Leeds 12/09/09 Jam Brighton 12/17/09 Palác Akropolis Prague |
Such a nice night for mid-November at the 400 Bar. Athletes in Slacks (myspace) warmed up the crowd with their laidback loungey harmonizing sound that only two keyboarders and a guitarist can produce. The band claims all their songs are about love, except later on their hour-long set, they introduced a song about hating two guys from New York. They did finish strong with a cover of INXS's "Never Tear Us Apart", and that's what really matter.
The first time I heard about Swedish band Little Dragon, was in January. Ceji was really into them. Since we generally like Swedish bands here, I did try and keep up with their whereabouts. As it turns out, they're in the middle of their tour through the US to promote their sophomore album, Machine Dreams. Although the band's been here already, they confessed last night that this was their first time in Minneapolis.
They didn't do Ceji's favorite "Recommendation" song, but I though hands-down their best song played was "After The Rain", complete with an amazing ending.
From what I heard from their live set, their new songs seems to drifts from the R&B and Jazz influence to more electro and beats. I think the combination works well for them, especially since I like their big beats/electronica sound.
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I've been to a lot of shows lately, and I can tell you that this was one of the best shows yet. They're heading their way to the East Coast, so definitely check them out. If they're not heading through your city, you should check out Machine Dreams, out now on Peacefrog Records.
) ♥ little-dragon.se ♥ myspace.com/yourlittledragon I am not a fan of TVXQ/DBSK/Tohoshinki (or the group with the many acronyms) per se but like always, I listen to any kind of music regardless and then I sit on the fence to watch the fireworks exploding all around. As the lawsuit between the three members versus SM Entertainment continues (with no end currently in sight) and the sudden cancellation of their supposed all-last concert in Shenzhen, China (so sorry for my friend's cousin who was so intent on going and have had everything booked for next weekend - i understand thoroughly how it feels), I was reading the translation of a particular article and something caught my eye:
One agency representative stated, "Setting aside who was right and who was wrong, I worry that such a group might disband. Even when you ask promoters in Japan, the group's popularity is no joke. There are countless Japanese promoters who level them with Arashi who is the most loved group in Japan. They're a group who has the talents to become Asia's best and it is unfortunate that such an event happened."
Source: [osen+DNBN]
Translation credits: jeeelim5@tohosomnia.net
Shared by: tohosomnia.net
Interesting indeed.
But too bad.
19 Nov - The Step Inn Fortitude Valley, Queensland w Mexico City & Sue Ray
27 Nov - The Tote Melbourne, Victoria. w James McCann’s Dirty Skirt Band, Black Pony Express & Little John.
An honourable mention also has to go to Jamie Hutchings. I'm sure he's being playing shows in some form or another since before the dawn of time. Always enjoyable.... and, it seems, about to embark on a tour of europe, so if you're over that way, be sure to keep your eyes and ears peeled. Or maybe just look at his website for tour dates (might be easier).
20 Nov 2009 - MUM at World Bar, Kings Cross, Sydney, 21 Nov 2009 - The Clubhouse (formerly Empire Corner Bar), Fortitude Valley
All the talk about NHK and Kohaku reminded me of the other year-end music programmes. Usually by this time, we would have an idea of where our boys will be performing but...
Is there none this year? Where is NTV's Best Artist? Why is only SMAP mentioned in FNS? Why cannot I get Arashi on YTV's Best Hits with Big Bang and Kanjani 8? Will Music Station Super Live still be happening too?
Weird.
Everything is so quiet this year. Well, at least I am getting Arashi with Sid for tomorrow's Music Station.
If I get lost in Japan....
just know that I'm.....
HAPPY.
WEEEEEEE~! =D
Fuji finally decides to get on the bandwagon and offer our boys not only a golden timeslot but also a long-awaited drama (special pun special lah) starring ALL of them because heck! Everyone knows they sell well (enough) individually, they sell BEST together. Not that I am really complaining if it is for the better.
The drama theme is about bond NOT bondage as I expect (even though the topless promotional picture says otherwise - arashi misleading as usual). I am hoping for SWAT-style/GQ-government officials but I bet it is going to be normal civilians stuck in the same building and trying to escape (give me arashi+zombie horror movie then).
More wishes to set now. Spies, continue staying tune.
I have been watching Big Bang's promotions on television shows in Japan. It is obvious that language is still a HUGE barrier. When it is awkward, it gets REALLY awkward that you can hear a pin drop. But Tae, Ri and especially my Daedae have improved tremendously that I feel very proud. Tae being made the spokesperson because he is the one with "most Japanese learning experience" - ironically in Korea, he does not speak as much. Ri, being the youngest, sometimes do not get to speak but he also is another with Japanese-speaking background due to his stageplay.
Daedae impressed me the most. I knew he would probably be able to catch on real fast (probably studied even more during his healing period) because like Tae and Ri, he is a main vocalist and trained in variety programmes but I did not expect how well he is - with no sense of worry or embarrassment about saying it wrong like Aibachan's English which I think is a big point in learning. And if all fails, he reverts to Korean in a very confident manner that the translator would be there to translate for him.
Jiyong, on the other hand, looks oh so very lost. He has grown up being the centre of attraction, the child prodigy of YG with so much potential and talent, the leader of Big Bang who usually speaks up in Korea and suddenly, he is thrown in a situation where he has to take a backseat just because the language is his biggest rival at the moment. I am not sure if he is taking it seriously or not but if Big Bang wants a long-term support and market in Japan, I really hope Jiyong will let himself go, embrace understanding the language and try not to depend on the other three or the translator.
Why am I more harsh to Jiyong than to TOP even though both are facing the same problem? It is because TOP, be it Korea or Japan, will be spacing out or barely talks and when he does, his one-liners are very spot-on. And it suits his image - being quiet and mysterious-looking. Also, when the topic is regarding food, TOP is more than willing to join in the conversation. Jiyong is not used to being on the sideline, just watching and not being able to expel his energy and he does not dare speak out in Korean either.
Hopefully by the next round of promotions, Jiyong will find his niche or topic of interest.
ps. I am so very tempted to go to Super Show II in Taipei... SUJU AH WHAT ARE YOU BOYS DOING TO ME? COME HERE LAH! WE GOT GOOD FOOD!!!
ps2. Shoot! 作文試験、まだ勉強していません。。。やばいっ!フフフ~頑張ろうと思います。
ps3. The difference between fans of Korean and Japanese bands (in particular johnny's):
Korea: They send TRUCKLOADS OF FOOD AND GIFTS to their idols.
Japan: They buy EVERYTHING their idols release.
To each their own.
I had no idea David Tao did a remake of Teresa Teng's classic song with added R&B twist a few years ago. Was looking for the original when I came across this - LOVE IT!
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Tour Dates
11/11/09 Oberlin College IL
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11/12/09 North Star Bar Phila, PA 11/13/09 Brooklyn Bowl Brooklyn, NY 11/14/09 Ottobar Baltimore, MD 11/15/09 Bowery Ballroom NY 12/08/09 Mono Pescara 12/09/09 Circolo degli Artisti Rome 12/10/09 Live Forum Milan 12/11/09 Spazio 211 Turin 12/12/09 Bronson Ravenna |
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Eddie looks like a guy that doesn't take himself too seriously. He seems to like to drink a lot and talk a lot (but with his thick British accent, it's not like we could understand half what was said). He seems to swagger on stage a lot, often using his left arm to illustrate the songs.
There wasn't enough room on stage for Argos to do his infamous microphone skip, but he did manage to sing half of "DC Comics" by the bar section. Speaking of which, I think it's cool that Argos is a huge DC fan - since UK comics are usually, you know, 2000 AD/Judge Dredd sort. During the song, Argos spouted out what I hear as "Christian Bale", "Booster Gold" (if I can remember, I think he was basically a janitor from the future with future tech and a Legionaires flight ring), and something about "Metropolis".
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The thing about "The Passenger", from their latest album Art Brut vs Satan, is that it got this great introduction. Eddie explained how he thought the Iggy Pop song was about taking the subway, "Iggy doesn't seem to me to be the driving sort." It wasn't until later did he discovered that Iggy's song was about taking heroin in back of a limo with David Bowie. Too funny.
Oh the other thing, the way Eddie sings, if you can call it singing, is quite interesting. It's more like rambling, it definitely feels at time like The Fall - only with a lot heavier backing band.
The band left and came back with three encores. I thought I heard Eddie saying "we don't normally do this", which may have been said in an ironic kind of way. I really couldn't tell, all I know is that the encores were met by the fans' demands.
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11/11/2009 00:00:22 ♥ vu (
) ♥ artbrut.org.uk ♥ myspace.com/artbrut
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Suburban Noize Records have been around since the mid-90s, catering to a very certain market of young hip hop, herb culture, and punk fans. We have a few items from them for review.
For starter, SubNoize Souljaz (myspace) is like the all-star supergroup, consisting of 15 or so Suburban Noize artists, including members of Kottonmouth King, Big B, and Jared Gomes (singer of Hed PE).
Their third album, Blast From The Past, just dropped late last August. While I am unfamiliar with some of these titles, I almost knew all the cover songs from hearing them on the radio. Except this album are all done in the style of that only Subnoize can deliver. With the variety of rappers and lead singers - the music is somewhat uneven, but at least the vocals stands out from each other. Particularly, I was impressed with Judge D's cover of LL's "Mama Said Knock You Out" and a funky The Dirtball's cover of RATM's "Microphone Fiend" (the bass is really good on this song) and Slick Rick's "Children's Story" by Daddy X.
It's evident that these guys owe a lot to influential bands that came before them (NWA, 2Pac, Snoop, Dre), so this album is a tribute to them. If you like old-school rap, particularly Death Row Records, as much as anyone that grew up in the 90s, you will definitely do yourself a favor and check out Blast From The Past.
![]() Tour Dates
11/15/09 El Corazon Seattle, WA
11/16/09 Satyricon Portland, OR 11/17/09 DNA Lounge SF, CA 11/18/09 Boardwalk Orangevale, CA 11/20/09 Starline Fresno, CA 11/21/09 Modesto Virtual Modesto, CA 11/22/09 Chain Reaction Anahiem, CA 11/23/09 Karma Victorville, CA 11/24/09 Roxy Los Angeles, CA |
Anyway, Brokencyde is a "crunk"-core band (apparently this genre is a fusion of hip hop and electro, and possibly other genres like punk and rock). The band embrace the brand, and even have a song called "Get Crunk!".
The album actually did chart on the Billboard 200 at #86, which kind of impressed me, considering that many of the artists I hear about, they never chart. I think the high debut might possibly be due to their presence on this year's US Warped Tour. However, despite the success, the album was critically condemned. My favorite is (name redacted) review from NME: "even if I caught Prince Harry and Gary Glitter adorned in Nazi regalia defecating through my grandmother’s letterbox I would still consider making them listen to this album too severe a punishment." Critics who hates them, I don't think they understand that the album was meant for them... certainly the album is not meant for me. I am curious what the band will sound like when they've matured a bit. Although, I will have to confess that I did smile a bit when I heard "pee pee" sung on "Sex Toys" and "let's get retarded" on "Rockstar".
They look and sound very young (hey, FYI, their singer is called Se7en), which makes their debut album I'm Not a Fan... But the Kids Like It even more-so ironic. I did feel that despite their youngness, that
Stronger songs on the album are: "Freaxxx" (with the catchy "let's get freaky" lyrics), and "Yellow Bus" (boasting about sex with groupies like Miley Cyrus??? WTF!).
If you don't mind the naughty messages, some autotune, some screamo, some electronica, check out I'm Not a Fan... But the Kids Like It at amazon.
![]() Tour Dates
11/13/09 Budweiser Event Center* CO
11/14/09 Mid America Center*, IA 11/15/09 Uptown Theater* Kansas City, MO 11/17/09 Val Air Ballroom Des Moines, IA 11/18/09 Aragon Ballroom* Chicago, IL 11/19/09 The Fillmore* Detroit, MI 11/26/09 Grove of Anaheim, CA * with 311 |
Their latest release is Hidden Stash 420, an epic 2-disc album. This is basically a collection of unreleased tracks, b-sides, remixes, demos. The packaging is also nice, it's a fold-out digipak. Hardcore fans will want to purchase the album directly from Subnoize Store or Best Buy stores, as that comes with a bonus DVD called The Lost Adventures of the Kottonmouth Kings.
While it's easy to just dismiss the band as pot smokers, that all their songs about weed, and although it's true, I believe they also deceptively paint a vivid picture of what their lifestyle is like. Check out tracks like "Take a Ride", as it describes California and family, all under a catchy chorus of "west coast is the place for me, never know what you'll see". But it's not all serious, there's a goofy song called "Late Night Call" with cultural reference of "me so horny", "facebook" and "myspace".
The collection is mostly older songs, and it's interesting to see some of their experiments. One song, "Tangerine Sky", seems like it's paying tribute to the Beatles LSD song "Lucy in the Sky with Diamonds". "Tangerine Sky" comes off as being more melodic and slower than most of their songs. The other non-conventional KMK is a poppy song "Let the Music Play". I wish I knew the story behind this song, but what I can tell you that it sounds very happy and 60s love. Perhaps Jackson Five?
Anyway, my favorites are usually the faster-constantly rapping songs with a loopy DJ backback, like "Evolution" and "Got It Get It". The later is a new Kingspade (a division of Kottonmouth King's rap duo, Johnny Richter and D-Loc) venture, which may be important for fans, as they haven't released anything under Kingspade in the last two years.
Hidden Stash 420 is out now. A perfect Christmas gift for any stoner in your family.
11/10/2009 18:05:38 ♥ vu (
) ♥ suburbannoizerecords.com ♥ suburbannoizejapan.com

